From Our Columnists
Seen through the symbolic lens of alchemy, Babale’s self-fashioning as “Poet of Light” works out a transmutation of value: what history has rendered base or obscured—blackness, the self denied—is worked upon until it gleams with renewed worth. Like the alchemist who turns lead into gold, she converts silence into speech and stigma into power, not through softness but through a revelatory force that disturbs settled orders. Her illumination is thus a form of spiritual alchemy—witchcraft as transformation—where revelation does not merely disclose truth but remakes the terms by which beauty and being are known.
Being on a cloud, once in a while, is the poet’s strategy for finding inner peace in a world in a rush and stressed—a sensation visitors may experience through the installation's sensory experience.
That being said. What on God’s green earth is wrong with you? I do not understand you at all! You have caused me a lot of trouble, embarrassed me, put me in situations where only the Grace of God saved me, and made me look stupid in places where I was supposed to maintain my steeze. And if you cared to know anything about me, you would know that I take my steeze seriously.
Girls and the Silhouette of Form deepens her exploration of womanhood, form, and memory. Beyond writing, she creates textile art that engages cultural preservation, sustainability, and the composite African experience.
