Konya Shamsrumi

Your days were no longer short in the university, it was mostly business as usual, but you had your own charms. Like how, when I took lectures at the old campus, I looked forward to you so that I would listen to the khudba and pray the Friday prayers. I loved the silence when the Imam’s voice travelled through the audience. I loved seeing the elderly women, who were regulars at the mosque, dress in their best attires and sit to pray. I loved it when the ladan said “a tsaya, a shiga sahu, a rufe salula, babban dan yatsa a kan layi, rufe salula malam”. I loved the imam’s voice. I always imagined how his lips moved, and his tongue rolled when he recited the Qur’an.  

Zahra’s literary journey began early. Her debut collection, The Dance of Dawn (2018), published when she was just seventeen, went on to be adopted as a set text at the University of Abuja and other institutions. With Girls and the Silhouette of Form, she not only expanded her poetic voice but also made history as the first female poet published by Masobe Books, the vibrant publishing house founded by Othuke Omniabohs.

To colour is to accept that there are limits and bounds, that freedom is the deep end of a shallow pond and drowning is not a choice. That our liberties are normative and must issue from the collective fiat of convention, the healthy custom of the many against the wily tempest of the one. Liberty then is a prison of accepted conduct, a glazed casket waiting for us to die.