African. Poetry. Press.
I would go on to discover that the opportunity to read poems in Morocco liberated the silenced voice within me: the empathic pain I had carried in my body, shaped by the violence of the world, by barbarity that tears away people's dignity and lives.
Seen through the symbolic lens of alchemy, Babale’s self-fashioning as “Poet of Light” works out a transmutation of value: what history has rendered base or obscured—blackness, the self denied—is worked upon until it gleams with renewed worth. Like the alchemist who turns lead into gold, she converts silence into speech and stigma into power, not through softness but through a revelatory force that disturbs settled orders. Her illumination is thus a form of spiritual alchemy—witchcraft as transformation—where revelation does not merely disclose truth but remakes the terms by which beauty and being are known.
Being on a cloud, once in a while, is the poet’s strategy for finding inner peace in a world in a rush and stressed—a sensation visitors may experience through the installation's sensory experience.
That being said. What on God’s green earth is wrong with you? I do not understand you at all! You have caused me a lot of trouble, embarrassed me, put me in situations where only the Grace of God saved me, and made me look stupid in places where I was supposed to maintain my steeze. And if you cared to know anything about me, you would know that I take my steeze seriously.
Complex Metaphors and Naming features poet and Mississippi State University professor Saddiq Dzukogi in conversation with poet and fabric designer Star Zahra, whose sophomore collection, Girls and the Silhouette of Form, won the 2025 Association of Nigerian Authors/KMVL Prize for Poetry. Dzukogi was also a finalist for the ANA Prize for Poetry in 2012, 2014, and 2016. The interview was recorded in March 2025.
