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I am that song you nod and hum to but still can’t sing along with, because, sometimes, it’s too deep. Yet, it flows, attracting passersby who know nothing of the sadness within. ...

Three Poems by Star Zahra

Ikeogu Oke was a Nigerian poet and journalist who died in Abuja on November 27th, 2018, at 51. He hailed from Ohafia in south-eastern Nigeria and was considered a deeply spiritual person. He sought to embody traditional African beliefs, notably wearing the Ohafia war dress to high-profile events to highlight his Igbo heritage. 

To colour is to accept that there are limits and bounds, that freedom is the deep end of a shallow pond and drowning is not a choice. That our liberties are normative and must issue from the collective fiat of convention, the healthy custom of the many against the wily tempest of the one. Liberty then is a prison of accepted conduct, a glazed casket waiting for us to die.

Both parents attended their son’s performance at Solothurner Literaturtage (Literature Festival 15-17 Mai 2025) and his father said proudly: “We have created him”. Jonathan grew up in Switzerland. He mentions that it is a place that allows him to face the past, not as a burden, but as chance, that allows him to use words (prose, poems, spoken word and Rap) to resist, to forget and to nourish hope.

No one wants a gathering of aunts. They will sit in a semi-circle, with me before them: head low and my shame a halo above my head. They will pass my poem from one bewildered hand to another. It will be a love poem. They will shake their heads; make a valley out of their mouths, clap their hands, and let out both audible and inaudible sighs. They will look at me with eyes carrying both disappointment and wonder. They will wonder how I am able to write all these things. Wonder how I even know these things exist, the child that I am. They will try to reconcile their sweet daughter with the stranger on the page. Then they will ask for the identity of the one who has taken my heart..

It isn’t that I have never written a poem in the absence of melancholy. I have. But there is a way melancholy pokes into your soul; it makes you feel things; it lifts the curtain over your eyes and makes you see the world with vivid alacrity. There is a way it sequestrates the feelings out of you and turns them into words. There is a way melancholy does these that joy simply doesn’t know how to. Melancholy is poetry’s favorite child.

I remember my grandmother by a lot of things, and when I picture myself in old age, I see myself in her image. Tall, lean, with a slightly curved back, a head full of gray hair that tangles and covers my eyes when being loose. Rheumy eyes set on a dark lean face, hands that are ever generous, and a serious demeanor that resets naughty grandchildren back to their default setting.

Everything Here

Complex Metaphors and Naming features poet and Mississippi State University professor Saddiq Dzukogi in conversation with poet and fabric designer Star Zahra, whose sophomore collection, Girls and the Silhouette of Form, won the 2025 Association of Nigerian Authors/KMVL Prize for Poetry. Dzukogi was also a finalist for the ANA Prize for Poetry in 2012, 2014, and 2016. The interview was recorded in March 2025.

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