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I am that song you nod and hum to but still can’t sing along with, because, sometimes, it’s too deep. Yet, it flows, attracting passersby who know nothing of the sadness within. ...

Three Poems by Tijjani Muhammad Musa

Ikeogu Oke was a Nigerian poet and journalist who died in Abuja on November 27th, 2018, at 51. He hailed from Ohafia in south-eastern Nigeria and was considered a deeply spiritual person. He sought to embody traditional African beliefs, notably wearing the Ohafia war dress to high-profile events to highlight his Igbo heritage. 

There is a rawness and a tangibility to this struggle, asserting itself like a shawl over the spirit and engendering a gradual fading away of the substantial, particular (in)carnation we occupy. Essentially, we become apologists in an oppression we neither deserve nor comprehend but in which we are too lost to realize the extent of our performance in the disservice.

"Love potions are just aphrodisiacs Viagra is how many minutes of happiness?"

Alabi likens this to the little value we place on what we used to have that is free but never allowed ourselves to explore at a new place where we can no longer enjoy that freedom but are happy to explore.

To colour is to accept that there are limits and bounds, that freedom is the deep end of a shallow pond and drowning is not a choice. That our liberties are normative and must issue from the collective fiat of convention, the healthy custom of the many against the wily tempest of the one. Liberty then is a prison of accepted conduct, a glazed casket waiting for us to die.

It isn’t that I have never written a poem in the absence of melancholy. I have. But there is a way melancholy pokes into your soul; it makes you feel things; it lifts the curtain over your eyes and makes you see the world with vivid alacrity. There is a way it sequestrates the feelings out of you and turns them into words. There is a way melancholy does these that joy simply doesn’t know how to. Melancholy is poetry’s favorite child.

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