Konya Shamsrumi

Despite the inhuman conditions in which Nigerians now live daily, they have largely remained calm and unable to raise their voices against the conundrum threatening their existence. Paradoxically, people who have been driven to the brim of patience have chosen to remain resolute in their silence, they prefer to mourn each day away hoping a miracle might happen to them.

To colour is to accept that there are limits and bounds, that freedom is the deep end of a shallow pond and drowning is not a choice. That our liberties are normative and must issue from the collective fiat of convention, the healthy custom of the many against the wily tempest of the one. Liberty then is a prison of accepted conduct, a glazed casket waiting for us to die.

You realized later that life was giving you a poetry lesson. Teaching you that just because the first line came out right didn't mean the rest of the poem would. Sometimes the metaphors would refuse to come through. The imagery, no matter how hard you tried to paint it, would just not appear right. You would look everywhere for the perfect punchline to end the poem, but you would not find one. Life was telling you that just because you thought you were good with words did not mean that they would always come to you whenever you needed them. And sometimes, you just couldn’t write a poem, just like you could not write your life into poetry.

We have had a drought for two years. I do not know about anywhere else, but southern Zimbabwe has held long patches of brown in December. Patches of brown where there should be maize fields. Patches of brown where the cattle should have been grazing. Patches of brown where entire rivers flowed not too long ago. Patches of brown where there should have been life.