Konya Shamsrumi

We laughed. We joked. We lamented. We remembered books and plots and characters. We talked about the creativity that is needed to write a voice driven novel. We talked about A Brief History of Seven Killings, and the distinct voices of the characters.  And when we reached Kabuga junction, we hugged and parted. I crossed the road, and took the shortcut through Kofar Kabuga, the old Kofar Kabuga, with its few heaps of sand that survived the wear and tear of time, and a goat, resting on its ancient back. 

You realized later that life was giving you a poetry lesson. Teaching you that just because the first line came out right didn't mean the rest of the poem would. Sometimes the metaphors would refuse to come through. The imagery, no matter how hard you tried to paint it, would just not appear right. You would look everywhere for the perfect punchline to end the poem, but you would not find one. Life was telling you that just because you thought you were good with words did not mean that they would always come to you whenever you needed them. And sometimes, you just couldn’t write a poem, just like you could not write your life into poetry.

At the same time, I read, with the whole world, a terrifying truth: an estimated one million Uighur people are detained in camps, arbitrary, by the Chinese government. So, I heard the poems with a melody of nostalgia and rhythm of un-defeated strength.