She speaks of the grandeur of this place
a boundless realm of azure,
at six in the morning we might get to ride a Rickshaw
which would weirdly only serve to remind us
that the aura here remains in every way peculiar and unfurled.
she speaks of seeing deities not born of mortal clay
as sanity’s are slurred by the blemish of affluence
and also, the madness at realising that a “song of lark” depiction
was painted as a tempera by a depressed artist from Kibra;
-a true calamity for all otherworldly hues you would say.
How does bliss escape
those who eat from the depths of god’s palm?
and why would those living through this liminal space
seek to become a metier for mortification?
These shrouds of bizarreness can only be a cover.
I reckon the intense cachets of splendour
can at times become a tapestry of metaphors
quirkiness is all-dimensional.
Karen and her otherworldly hues truly remain
nothing but a whole city’s mirroring.
- ELEGY FOR THE THINGS WE’VE BEEN THROUGH by Olalekan Ayodele - August 16, 2024
- ANNOUNCING THE SEVHAGE/KSR HYGINUS EKWUAZI LITERARY PRIZES 2023 LONGLIST - October 30, 2023
- UBUNTU 2.0 at the London School of Economics: Celebrating Rich Voices, Culture and the Black Experience with V. Osarumwese, McInerney, Agape, Omeke, Su’eddie Agema, E. Mwambulukutu and Orayyy - October 28, 2023
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