Everything Here
I like forests because they are full of mystery and are mystical. I love that they are full of life and yet quite secretive. If you’ve ever lived near a forest, you get that sense of latency, something just coiled and waiting, a sense of fullness even when you don’t see anything but the trees. It’s like a hum, a pulsation underneath everything.
Bassey Ikpi still identifies as a writer though she has referred to herself as an “ex-poet”. She has recently clarified that poetry was simply the conduit through which she could articulate all the emotions she failed to understandably express. Now, she says, she is healthier than ever and is interested in publicising wellness as a possibility, as a lifestyle.
Although a chapbook of very short poems (which seems like the poets’ attempt to test the water of critical reception), part of the aesthetic appeal of the collection is the poets’ use of language.
Curiosity is a part of my being. I always want to know ‘the whys’ of every colour, every song, every kindness and every decision. I am that bag of turmoil, I trap the swiftness in emotional readjustment so fast I cannot let go of the outcomes in a hurry.












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