Zahra’s literary journey began early. Her debut collection, The Dance of Dawn (2018), published when she was just seventeen, went on to be adopted as a set text at the University of Abuja and other institutions. With Girls and the Silhouette of Form, she not only expanded her poetic voice but also made history as the first female poet published by Masobe Books, the vibrant publishing house founded by Othuke Omniabohs.
For some reason, my then-class mistress singled me out of the kids to run her errands, having me go to the post office whenever she had a letter to post, this was often a weekly or every fourth night. These letters, I went to the post office for were the foundation of my creative writing path. I didn’t know this simple errand would be an adaptation that would follow me into adulthood and later become an integral part of my life.
The Benue Book & Arts Festival (BBAAF) is set to make its exciting debut in Nottingham on Saturday, 25th January 2025. The event, organised by the SEVHAGE Literary and Development Initiative and SEVHAGE Publishers, will take place at the Central Library in Nottingham from 10:00am to 3:30pm and promises to be a day filled with thought-provoking discussions, performances, and networking opportunities. This inaugural edition marks a significant step in SEVHAGE’s mission to create a platform for cultural exchange, celebrating literature, art, and the power of storytelling.
Through poetry, I was able to express the inexpressible, to give voice to the emotions that threatened to consume me. I wrote about love, loss, longing, hope and the universal human experiences that connect us all.
Véronique Tadjo is a renowned Ivorian novelist, poet, and writer. At 69, her work stands as a powerful testament to her rich heritage and the influence of the French language, in which most of her writing is rooted and written. Her work has been translated into over 20 languages, but as English author Samuel Johnson observed, “the beauties of poetry cannot be preserved in any language except that in which it was originally written.
Since I was born, daddy bought us books. He was a writer himself, writing stories in notebooks that ended up in corners of the house, unpublished. Had my father been born in more recent times, he’d be a great writer, I think.
Bassey Ikpi still identifies as a writer though she has referred to herself as an “ex-poet”. She has recently clarified that poetry was simply the conduit through which she could articulate all the emotions she failed to understandably express. Now, she says, she is healthier than ever and is interested in publicising wellness as a possibility, as a lifestyle.
Lagos influences most of his writing—its chaos, culture and vibrance, diversity—and like many other Nigerian writers, his work is inspired by gender-based violence and conflict themes. In an interview with Funtimes Magazine, he said, “Most of my initial poems have been responses to societal issues.” However, recently, he has been “very interested in the concept of joy; what it is, why it’s important, and how to capture and share it through poetry and performance.”
Born in 1935 in Wheta, Ghana, his works often derived originsfrom his Ewe heritage. He was deeply influenced by African oral literature and sought to preserve the cultural legacy of his people through his writings. His most notable works include Night of My Blood and The House by the Sea which explored various themes associated with the shared African struggles during the decolonisation period.
Renowned author, Aminatta Forna, once said, “If you want to know a country, read its writers.” Perusing Christopher Okigbo’s literary works would teach you of Biafra—a mirage of a country.