I remember always turning back in the car when we pass a particular sculpture and I remember the sculpture, "a woman with long breasts breastfeeding a child". That sculpture was intriguing to me as a child
Western arrogant rationality, which tends to overhaul other perspectives has ushered every part of the world into the age of "posts": post-modernism, post-marxism, post-truth, post-humanism, and we even hear things such as post-Africanity. Fortunately, Africa has not caught the flu of this chaos completely. And, as the overfed children of hypercapitalism and consumer culture get exhausted in their boredom, Africa will be the place of what being human looks like—albeit if the Western power doesn't change us too soon.
This is a collection of poems from a poet that will grow if she persists. She is requesting that we journey with her.
Perhaps, Bala has not set out with such contemplation in this collection as the poems herein are the dialogue of two lovers we are conscripted into attending. But more happens.
Moments. Fleeting. Art captures them, or some part of their essence, in a specific form. Poetry gives us an expression that beautifies this capture through various devices and renditions that, if done well, leave us with something to hold on to.
We are curious to explore these expansive dynamics, and we will do this virtually and in-person in 3 days, from Thursday 14 - Saturday 16 November , 2024, with established and emerging poets from across the world through Knowledge Diffusion Sessions, Poetry Master-classes, A Village of Languages, Panels/Readings and Feedback Sessions, the traditional Poetry Concert, a Poetry Party (poems apostle should not hear) and a Ride-for-Climate-Change activity with Jeje Riders.
I was a teenager still when I got to know grief personally. I would sit alone in my room reminiscing about the memories we shared & I would write poems that came right from the heart, unlike the rhymes I wrote, which I believe are more of intellect than expression.