Your days were no longer short in the university, it was mostly business as usual, but you had your own charms. Like how, when I took lectures at the old campus, I looked forward to you so that I would listen to the khudba and pray the Friday prayers. I loved the silence when the Imam’s voice travelled through the audience. I loved seeing the elderly women, who were regulars at the mosque, dress in their best attires and sit to pray. I loved it when the ladan said “a tsaya, a shiga sahu, a rufe salula, babban dan yatsa a kan layi, rufe salula malam”. I loved the imam’s voice. I always imagined how his lips moved, and his tongue rolled when he recited the Qur’an.  

You see yourself putting others before you, shrinking yourself so that you do not take up too much space, so that society does not label you a misfit. You keep going back to the man who has made your skin a gallery of bruises, and whose love you can no longer find in you no matter how hard you look. You tell yourself each day that it is for the kids, for the social security and respect that comes with being married. You look in the mirror sometimes, unable to recognize the you who now cares what society thinks.

We laughed. We joked. We lamented. We remembered books and plots and characters. We talked about the creativity that is needed to write a voice driven novel. We talked about A Brief History of Seven Killings, and the distinct voices of the characters.  And when we reached Kabuga junction, we hugged and parted. I crossed the road, and took the shortcut through Kofar Kabuga, the old Kofar Kabuga, with its few heaps of sand that survived the wear and tear of time, and a goat, resting on its ancient back. 

After ages of avoiding the shore, I went back again. This time however, I vowed not to wait. I got a ship. The sailor had wanted me on it all along, but when the time to sail came, I left the shore. The ship was good, but I wanted better. What is wrong with waiting for a little while more when you have been waiting all your life?

You realized later that life was giving you a poetry lesson. Teaching you that just because the first line came out right didn't mean the rest of the poem would. Sometimes the metaphors would refuse to come through. The imagery, no matter how hard you tried to paint it, would just not appear right. You would look everywhere for the perfect punchline to end the poem, but you would not find one. Life was telling you that just because you thought you were good with words did not mean that they would always come to you whenever you needed them. And sometimes, you just couldn’t write a poem, just like you could not write your life into poetry.

We shared a chemistry because books catalysed the reaction that steered our attraction. We fell for each other because books were the gravity that pulled us together. We could fly because books gave us wings. We loved because we were in love with books. We were books, there were pages on our souls.

Are poets really cowards? What if they are sadists who love to mock the whole world? What if it pleases them to see people wracking their brains trying to find meaning in their words while they sit and laugh at their foolishness? Maybe there is some sort of high that comes with writing what sounds like pure gibberish to most people.

Most importantly, I hate poetry for teaching me how to love. Poetry made a lover out of me. Before poetry, I didn’t know that the gaze from my lover’s eyes could loosen my joints. I didn’t know that a single touch of his hands could melt me like candle wax. . .

In essence, you are just like the children playing, oblivious of the uncertainties of life; you are like the lawyer filled with angst over what the judge’s ruling will be on his case; you are like the beggar on the street, unsure of the source of his next meal; you are like the teacher pondering over the best methods to teach his students.