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MEMORY AND CULTURE IN SABITU’S ‘HOW IT WILL BE TOLD’: A Review by Servio Gbadamosi
A Review of Damilola Olaniyi’s ‘Drifting Cords’ by Paul Liam
The Rhythm of Memory and Magic in Michael Olobadola’s ‘Owuro Rising’ by Servio Gbadamosi
Archiving Her Hustle: A Review of Moremi Akano’s ‘A Woman’s Studio’ by Servio Gbadamosi
THE AFRICAN [SUB]TEXT IN OGUNDARE’S GRIEF DIARY: A REVIEW by Hyginus Ekwuazi
What ‘Nigeria Meets Sweden: An Intercultural Cookbook by Philippe Glago’ Shows: A Review by Soji Cole
Wendy Okeke Portrays Her Humanity in Grief’s First Kiss is an Avalanche
That the Elegy Would Be More than One: A Review of Ayodele’s ELEGY FOR THE THINGS WE’VE BEEN THROUGH
A Review of Love Grows Stronger in Death Anthology by John-Paul Kunrunmi
Language as Chain-link: A Review of Olalekan Ayodele’s ‘Elegy for the Things We’ve Been Through’ by Chinaza James-Ibe
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