MEMORY AND CULTURE IN SABITU’S ‘HOW IT WILL BE TOLD’: A Review by Servio Gbadamosi

A Review of Damilola Olaniyi’s ‘Drifting Cords’ by Paul Liam

The Rhythm of Memory and Magic in Michael Olobadola’s ‘Owuro Rising’ by Servio Gbadamosi

Archiving Her Hustle: A Review of Moremi Akano’s ‘A Woman’s Studio’ by Servio Gbadamosi

THE AFRICAN [SUB]TEXT IN OGUNDARE’S GRIEF DIARY: A REVIEW by Hyginus Ekwuazi

What ‘Nigeria Meets Sweden: An Intercultural Cookbook by Philippe Glago’ Shows: A Review by Soji Cole

SEVHAGE and Konya Shamsrumi presents The Poetry Club UDUS Anthology 2025

Announcing the Shortlist for the 2024 Vivian Ihaza [SEVHAGE] Teen Poetry Prize

That the Elegy Would Be More than One: A Review of Ayodele’s ELEGY FOR THE THINGS WE’VE BEEN THROUGH

Nottingham Hosts the First UK Edition of the Benue Book and Arts Festival