Everything Here
The person (being me and anyone who finds the shoe a fit) who this poem would reach out to is someone who has worn her sad like a uniform too long and is tired of the way it hangs useless on her body, how it grips on parts it should let go and lifts with the wind of endless sad experiences.
Konya Shamsrumi: What is the process of writing a poem like for you? Is it a lot of hard work or easy? James Eze: Any writing that requires the use of the imagination does not come easy to me. It is often a cross between inspiration and hard work. For me, the process of writing a poem begins with an inspiration and ends with a lot of hard work. Usually, it comes in form of an idea, a thought or an impulse in the deep recess of my mind which could be triggered by an experience, an observation or a flash of insight from a book, a song, a movie or a mere ripple on the face of a stream.
Hence, while the historian's mind is riddled with events, the poet's is bursting with colour, having memory as its minefield. However, there is no fixity to verse. Not in its fidelity to what was or its facility for what will follow. Both past and future are the canvass upon which imagination subsists. Along the way, it rids itself of all ethical sympathies.
Meanwhile, Wanlov the Kuboloro, who joins with M3nsa to complete the rap-artiste duo from Ghana, FOKN Bois, advocates for a young man who has put a coin into the canister: “He has donated for America.” Looking into camera, “Don’t give him troubles when he applies for a visa.”